Source-Notes in the History of Art《源：艺术史札记》（季刊）. Source was founded in 1981 as a scholarly journal in art history. Its mission is to publish articles of 2,500 words or less, accompanied by a maximum of three illustrations. The range of articles spans antiquity to the present and includes western and non-western art. The original premise has been borne out: there is an audience for scholarly articles in art history that are clearly written, adequately illustrated and above all, succinct. Furthermore, scholars welcome having a forum to present ideas and speculations that don’t warrant a major treatise, but might nevertheless make interesting “notes” for specialists and non-specialists alike.

SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART《Simiolus:荷兰艺术史季刊》（季刊）。Simiolus is an English-language journal devoted to the history of Dutch and Flemish art of the fifteenth to seventeenth centuries, with occasional forays into more recent periods and other schools. Founded in 1966 as an outlet for art history students at the University of Utrecht, it has grown to become an internationally recognized journal of record in its field, publishing contributions by many renowned scholars and promising young art historians.

Sight and Sound《视觉和声音》（月刊）.

SHAW-THE JOURNAL OF BERNARD SHAW STUDIES《萧伯纳研究》（半年刊）。SHAW: The Journal of Bernard Shaw Studies is the official publication of the International Shaw Society, which seeks to “provide a means for those interested in the life, times, works, and career of Irish playwright George Bernard Shaw and his circle to organize their activities and interests, exchange information and ideas, and promote an interest in Shaw worldwide.”

Shakespeare Quarterly《莎士比亚季刊》（季刊）. Shakespeare Quarterly (SQ) is a leading journal in Shakespeare studies, publishing highly original, rigorously researched essays, notes, and book reviews. Published for the Folger Shakespeare Library by Oxford University Press, SQ is peer-reviewed and extremely selective. The essays in our published pages span the field, including scholarship about new media and early modern race, textual and theater history, ecocritical and posthuman approaches, psychoanalytic and other theories, and archival and historicist work. Our mission, simply put, is to present the best scholarship on Shakespeare from his own period to the present moment. The published journal is available in print and online.

Shakespeare《莎士比亚》（季刊）. Shakespeare publishes articles drawn from the best international research on the most recent developments in Shakespearean criticism, historical and textual scholarship, and performance.The journal promotes the goal of the British Shakespeare Association to bridge the gap between literary and performance based criticism of Shakespeare, and provides an outlet for Shakespeare research undertaken to the very highest standards from around the world. Without privileging any particular critical approaches, methodologies, or theories, the journal welcomes all contributions that throw light upon Shakespeare, his works, and his world, in his time and through to the present day.

Notes《旋律: 音乐图书馆协会季刊》（季刊）. Notes: the Quarterly Journal of the Music Library Association, was established in 1934 (1st series: 1934–1942), and began its 2nd series in 1943. The journal has appeared consistently since then, offering its readers interesting, informative, and well-written articles in the areas of music librarianship, music bibliography and discography, the music trade, and on certain aspects of music history.

Nineteenth-Century Music Review《十九世纪音乐评论》（一年3期）. Nineteenth-Century Music Review locates music within all aspects of culture in the long nineteenth century (c.1789-1914), covering the widest possible range of methods, topics and concepts. Through themed and general issues, articles provide both depth and breadth in their contribution to this expanding field. A rich supply of book, CD, DVD, and score reviews reflects the journals title and commitment to stimulate and advance critical discussion.

19th-Century Music《十九世纪音乐》（一年3期）. 19th-Century Music covers all aspects of Western art music between the mid-eighteenth and mid-twentieth centuries. We welcome—in no particular order—considerations of composers and compositions, styles, performance, historical watersheds, cultural formations, critical methods, musical institutions, ideas, and topics not named on this list. Our aim is to publish contributions to ongoing conversations at the leading edge of musical and multidisciplinary scholarship.

New Theatre Quarterly《新戏剧季刊》（季刊）. New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.