1、该刊只有国际刊号。

2、投稿方式：邮箱投稿。

3、刊内网址（第一期信息）：

https://www.hkmu.edu.hk/as/tc/research/tkpccc/journal/

4、刊内邮箱：tkpccc@hkmu.edu.hk

5、出刊日期：年刊，一年出版一期。

6、联办单位微信公众号：上大创意写作

2026年3月23日星期一

Journal of Chinese Creative Writing Studies期刊介绍

【联办微信公众号信息】

上大创意写作2026年3月19日 09:00

Journal of Chinese Creative Writing Studies是由香港都会大学田家炳中华文化中心负责编辑工作，香港商务印书馆出版，并与上海大学中国创意写作研究院及温州大学人文学院联合创办的英文学术年刊。

期刊介绍

Journal of Chinese Creative Writing Studies这本英文学术年刊是《中国创意写作研究》（集刊）出版计划下的最新成果，主要刊登有关创意写作与各个方面的文章、访谈和书评，包括文学、文化、翻译和跨媒体探索等领域，并旨在促进中文创意写作的发展和创新，推动海内外学者的对话，以及促进跨学科与跨文化的交流。

第一期文章包括对中国特色创意写作的探讨、当代书法作为创意写作的解读、香港大专院校英语创意写作课程的研究与分析，以及收录了两篇来自「第九届世界华文创意写作大会」的获奖论文，包括《黑神话．悟空》的游戏叙事与香港都会大学有关微小说写作的教学方法。

此外，本期还收录《华文创意写作与跨媒体实践》的书评，以及与中山大学国际翻译学院戴凡教授的访谈。

本期刊全年接受投稿，欢迎查询有关详情及投稿资料：

https://www.hkmu.edu.hk/as/tc/research/tkpccc/journal/

《Journal of Chinese Creative Writing Studies》Submission Information

【官网信息】

•

The Journal of Chinese Creative Writing Studies is an annual

publication that features research papers, book reviews, and interviews

in the fields of creative writing and literature, culture, translation

and cross-media, both related to Sinophone and English-speaking

contexts.

•

Our commitment extends beyond showcasing Chinese contributions; we aim

to highlight insights from the international academic community. We

welcome submissions on creative writing on a global scale, not limited

to those focu on Chinese creative writing.

• This journal is published in December every year, and we accept submissions year-round.

All articles should be original. Please note that we do not accept simultaneous submissions.

•

The journal shall not be held liable for copyright violations. Authors

are responsible for securing written permission to reproduce all

copyrighted materials, including illustrations,photos, and long

citations. The author shall bear full responsibility for all legal

consequences if violations occur instead of the journal.

• Please submit a Word file that includes the author’s name, affiliation and email address to tkpccc@hkmu.edu.hk.

•

All accepted papers will also be included in the electronic database

authorised by this journal for academic research purposes. Authors are

required to complete a consent form for authorised use.

•

All research papers undergo an anonymous review process. Authors will

usually be notified of the paper’s acceptance within three months. If

selected for publication, authors will receive two copies of that

particular issue as a token of appreciation. No remuneration will be

offered.

Guidelines and Formats

•

The manuscript should be written in English and should be between 8,000

and 10,000 words in length (excluding the footnotes and references).

•

The article’s title, content and numbers should be in Times New Roman.

Regarding the font size, the title should be in 14 points, the sub-title

should be in 12, and the content should be in 11 points. Please provide

an English abstract of up to 200 words and 3-5 keywords.

Also, this journal prefers British English spelling.

•

For Chinese terms, if an official translation exists or an English

version is available, the Chinese translation may be used directly after

the English term (e.g., Romance of the Three Kingdoms 三國演義 or The Literary Mind and the Carving of Dragons 文心雕龍).

Otherwise,

it is recommended to use the Pinyin system for names and terms in

Chinese,followed by the Chinese characters and English translations,

e.g., san buxiu 三不朽(Three Immortal Deeds) or xungen wenxue 尋根文學 (Root-seeking Literature).

•

If the article contains tables and figures, these should be numbered

consecutively and labelled as Table or Fig. Each must be referenced in

the main text at appropriate points (e.g.,“see Fig. 1...”).

Additionally, the first letter of each word in the title should be

capitalised,except for conjunctions and prepositions.

•

For copyrighted images, authors must obtain permission or a publication

agreement in advance and include source information and credit in the

image caption.

•

All articles must use footnotes to cite sources, formatted in a font

size of 10. Footnotes should begin with the number 1 and continue

sequentially. A comprehensive reference list should be included at the

end of the article. If a source is cited multiple times, please provide

the author’s name, title, and page numbers within the citation.

• This journal follows the Chicago Manual of Style, formatted as follows:

Books

Abrams,

Meyer Howard. The Mirror and the Lamp: Romantic Theory and the Critical

Tradition. (New York: W. W. Norton & Company, 1958).

Zong, Baihua 宗白華. Meishe yu yijing 美學與意境 [Aesthetics and Poetic Aura].(Beijing: People’s Press 人民出版社, 1987), 11–15.

Ancient Books

Guo, Qingfan 郭慶藩. Zhuangzi jishi 莊子集釋 [The Variorum Edition of the Zhuangzi].

In Zhuzi jicheng 諸子集成（第三卷） [Complete Collection of the Masters (vol.3)].

(Beijing: Zhonghua Book Company 中華書局, 1954), 1–481.

Zheng, Xuan 鄭玄 and Kong Yingda 孔穎達. “Liji Zhengyi” 禮記正義 [Commentary of the Book of Rites]. In Chongkan songben shisanjing zhushu 重栞宋本十三經注疏[Revised and Re-edited Song Dynasty Edition of the Thirteen Classics with Commentaries and Subcommentaries], ed. Ruan, Yuan 阮元. (Taipei: Yee Wen Publishing Co., Ltd. 藝文印書館, 2011).

Chapters

Elleström,

Lars. “The Modalities of Media: A Model for Understanding Intermedial

Relations.” In Media Borders, Multimodality and Intermediality, ed. Lars

Elleström.

(Basingstoke; New York: Palgrave Macmillan, 2010), 11–48.

Mu, Shiying 穆時英. “Yezonghui li de wugeren” 夜總會裏的五個人 [Five People in the Nightclub]. In Mu shiying quanji 穆時英全集 [The Complete Works of Mu Shiying], ed.

Yan, Jiayan 嚴家炎 and Li, Jin 李今. (Beijing: Beijing October Arts and Literature Publishing House 北京十月文藝出版社, 2005), 266–287.

Translated Works

Miller, Hillis J. Jiedu xushi 解讀敍事 [Reading Narrative]. Trans. Shen, Dan 申丹.(Peking: Peking University Press 北京大學出版社, 2002).

Lee, Leo Ou-fan 李歐梵. Shanghai modeng–yizhong xindushi wenhua zai Zhongguo 1930-1945 上海摩登—一種新都市文化在中國 1930-1945 [Shanghai Modern: The Flowering of a New Urban Culture in China, 1930-1945]. Trans. Mao, Jian 毛尖. (Hong Kong: Oxford University Press, 2000).

Journals

Abblitt, Stephen. “A Post-Digital Paradigm in Literary Studies.” Higher Education Research & Development 1 (2019): 97–109.

Chiu, Kuei-fen 邱貴芬. “Qianxi zuojia yu xinTaiwan wenxue chuantong” 千禧作家與新台 灣 文 學 傳 統 [Millennial Writers and the Making of a New Taiwanese Literary Tradition]. Chung Wai Literary Quarterly 中外文學 50, no. 2 (2021): 15–46.

Thesis or Dissertation

Flores, Leonardo L. “Typing the Dancing Signifier: Jim Andrews’ (vis)poetics.” (PhD diss.,University of Maryland, 2010).

Xie, Cai 謝彩. “Zhongguo chuangyi xiezuoxue chutan” 中國創意寫作學初探 [An Initial Exploration of Chinese Creative Writing Studies]. (PhD diss., Wuhan University,2013).

Proceedings and Conference Papers

Qin,

Huaxuan, Shan Jin, Ze Gao, Mingming Fan, and Pan Hui. “CharacterMeet:

Supporting Creative Writers’ Entire Story Character Construction

Processes Through Conversation with LLM-Powered Chatbot Avatars.” In

Proceedings of the CHI Conference on Human Factors in Computing Systems,

(Honolulu: Association for Computing Machinery, 2024),1–19.

Liu, Weidong 劉衛東. “Cong gongfang, shequ dao wenxuezhidou– chuangyi xiezuo de sange shijian cengmian” 從工坊、社區到文 學之都— 創意寫作的三個實踐層面[From

workshop, community to literary capital: Three practical dimensions of

creative writing]. In Shijie huawen chuangyi xiezuo xiehui gaofeng

luntan (2016-2017) huiyi lunwen heji 世界華文創意寫作協會高峰論壇（2016-2017）會議論文合輯

[Proceedings of the world Chinese creative writing association summit

(2016-2017)], (Shanghai: Shanghai Chinese Creative Writing Center 上海市華 文創意寫作中心, 2018), 75-88.

News and Online News

Wang, David Der-wei 王德威. “Wenxue, jigdian yu gongmin yishi” 文學、經典與公民意識 [Literature, Classics, and Civic Awareness]. Human Realm Literary Supplement of the China Times 中國時報．人間副刊, August 4, 2009.

Bennie,

Angela. “War, Blood, Courts: It’s Poets at Arms. The Sydney Morning

Herald:books section”. The Sydney Morning Herald, August 8, 2006.

https://www.smh.com.au/entertainment/books/war-blood-courts-its-poets-at-arms-20060808-gdo4ob.html.

Online Resources

Casocot, Ian Rosales. “Cities of Literature.” Medium.

https://sandwichspy.medium.com/cities-of-literature-f6cd50fb7474. Accessed September 27, 2025.

Chen, Yun-yuan 陳允元. “Taiwan wenqing de qilu—Liu Na’ou de Xin wenyi riji 1927”台灣文青的歧路——劉吶鷗的《新文藝日記》1927

[The Divergent Path of Young Taiwanese Literati: Liu Na’ou’s 1927 The

Journal of New Letters and Arts]. Virtual Museum of Taiwan Literature 台灣文學虛擬博物館.

https://tlvm.nmtl.gov.tw/zh/Create/CreatePlatformCont?Createid=60 . Accessed August 6,2024.

•

When using any AI system as a tool for your research, it is important

to properly acknowledge its contribution. Please ensure that you clearly

indicate in your work if you have utilised an AI system for research

purposes in a footnote. The format is as follows:

Text generated by ChatGPT, OpenAI, March 7, 2023, https://chat.openai.com/chat.

ChatGPT, response to “The Development of Creative Writing,” OpenAI, May 31, 2024.